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Installation

 

 

I Have Been Klaxoning

July 31 - August 16, 2012

 
 
Installation
 
 
Exhibition CatalogueZhonghao Chen, resident in Shanghai but a 2010 Masters Graduate of the Ilam School of Art, shows new painting at Jonathan Smart Gallery until August 16th.
In the handsome self-titled catalogue available with the exhibition (which includes 50 full colour reproductions) there are four short texts from which I borrow below:

“The physicality of the painted surface is one of the first things that you notice in looking at a painting by Zhonghao. Its scrubbed and smeared brushstrokes. Its accumulations, mounds and clots of paint. It is paint’s materiality that guides, establishes and forms the images and the subjects of Zhonghao’s paintings.
 
Funnels and drains discharge or suck-up coloured garbage, as conveyor belts transport amoebic blobs and polluted clumps become ships that float on rivers of sludge. It is as if Francis Bacon had been employed to re-animate Walt Disney’s Fantasia.

The Chinese Literati Painters of the 15th and 16th centuries sought through their painting to express the Taoist principle of that which cannot be named but underlies the nature of all things, and which can only be experienced through the observation of nature.”
Extracts from “The Peach Spring Beyond This World” by Robin Neate

Quasi-Lovers  
Migrating Compulsory People Theory
 And further upon this notion of the nature of things in Zhonghao’s paintings:
 
“What is this world of Zhonghao Chen? It is a simple and familiar world – a world of land and sea and sky. A world more terrible than any human creation may pretend to be. That is the diabolical, romantic promise of nature: to give succour through some contrived but wholly felt assertion of its grandness, its scale, its monumental disregard for all our ink and paper, our mathematics, our civic duties...
 
The paintings read like a series of stills in some ambiguous, incomplete narrative. A movie trailer maybe, accompanied by a blasting soundtrack of percussive crashes; an epic drama of destruction and transformation.”
                                                        Extracts from “No Sheltering Skies” by Creon Upton

Takeaway Landscape 
Folky Outdoor Pingpong 
Seaweed Park
Having said this, I find great joy, considerable humour and much generosity in these paintings. Some of their myriad pleasure resides, I think, in being able to register this young painter’s intent, his very physical expression through paint. In my mind’s eye I can see Zhonghao making these paintings. And this correspondence feels direct, important and comparatively easy. Is this, I wonder, part of what we mean when we say that this is painting that likes to be looked at? For it is certainly, both in its making and the experience of it, painting that feels completely and utterly enjoyable.
 
Jonathan Smart
 
The Never Ending Things  
Public Commission Role Model
 

Selected works

Klaxoning Muppetts Members  
Joyful Ride
Unchartered Caravan
Trans-Old School Goodies

 

Details of works

Unchartered Caravan                                            700 x 700mm
Seaweed Park
300 x 300mm
Joyful Ride
700 x 700mm
Klaxoning Muppets Members
700 x 700mm
Trans-Old School Goodies
700 x 700mm
Migrating Compulsory People Theory             
700 x 700mm
Takeaway Landscape
400 x 400mm
Quasi-Lovers
700 x 700mm
Folky Outdoor Pingpong
300 x 300mm
The Never Ending Things
1200 x 1000mm
Public Commission Role Model
1200 x 1000mm

All paintings are oil on linen from 2011
An exhibition catalogue is also available for purchase