Visually then, this is painting where materials and process have their way. All is simple and direct. And the result is Walters-like in its clarity of form and cared-for, delicate proportions. The Host is a beautiful painting - it is number 1 on the show list for Pilgrim's Oyster, Oliver Perkins' first exhibition at Jonathan Smart Gallery. Since graduating from London's Chelsea School of Art in 2005, Perkins has gently interrogated the architecture or the building blocks of painting. The act of stretching canvas over supports has been deconstructed and this suite of insert (or envelope paintings) is a further iteration of this.
Other paintings here, including Handlung and D/S/A/R feature canvas stretched around wooden dowel held in suspension by cotton rope. The mark-making or painting on the canvas varies with each composition, as does palette. Colour is often deceptively saturated or of the landscape, but the real variety is around edges that are variously bled, softly layered or masked hard, depending on the needs of each painting. For that is key. In rigorously exploring the needs of painting, Perkins nourishes a practice increasingly in the public eye but which is just 15 years young.
JS
List of works
The Host, 2018 ink, size, pre-primed canvas on canvas 750 x 700mm
Handlung, 2019 ink, size, dowel, canvas and cotton rope 430 x 415mm
D/S/A/R, 2015/2019 ink, size, dowel, canvas and cotton rope 1480 x 710mm
Last Letter, 2019 ink, size, acrylic on canvas 650 x 550mm
Tranche, 2019 ink, size, acrylic on canvas 650 x 600mm
Perrin, 2019 ink, size, acrylic on canvas 650 x 600mm
Motel Painting 6, 2019 ink, size, acrylic on canvas 450 x 400mm
A New Spider, 2017/2018 ink, size, acrylic on canvas 450 x 450mm
The Oyster, 2019 ink, size, acrylic on canvas 400 x 330mm
Pilgrim, 2019 acrylic and bamboo on plywood 270 x 190mm
Present, 2019 oil, ink, size and cotton rope on canvas 270 x 190mm
Fiels, 2019 oil, ink, size and cotton rope on canvas 250 x 220mm
Lodger, 2019 oil, ink, size and cotton rope on canvas 220 x 240mm